old self, new self, no self

The girl with a pearl earring, Vemeer

"It is always the beauty of this portrait head, its purity, freshness, radiance, sensuality that is singled out for comment. Vermeer himself, as Gowing notes, provides the metaphor: she is like a pearl. Yet there is a sense in which this response, no matter how inevitable, begs the question of the painting, and evades the claims it makes on the viewer. For to look at it is to be implicated in a relationship so urgent that to take an instinctive step backward into aesthetic appreciation would seem in this case a defensive , an act of betrayal and bad faith. It is me at whom she gazes, with real, unguarded human emotions, and with an erotic intensity that demands something just as real and human in return. The relationship may be only with an image, yet it involves all that art is supposed to keep at bay."

Edward A. Snow, A Study of Vermeer, 1979

Our zeal must, however, begin at home. Let us examine ourselves as to our right to eat at the Lord’s table. Let us see to it that we have on our wedding garment, lest we ourselves be intruders in the Lord’s sanctuaries. Many are called, but few are chosen; the way is narrow, and the gate is strait. O for grace to come to Jesus aright, with the faith of God’s elect. He who smote Uzzah for touching the ark is very jealous of his two ordinances; as a true believer I may approach them freely, as an alien I must not touch them lest I die. Heart searching is the duty of all who are baptized or come to the Lord’s table. "Search me, O God, and know my way, try me and know my heart."

Spurgeon